front cover of The Fate of the Mammoth
The Fate of the Mammoth
Fossils, Myth, and History
Claudine Cohen
University of Chicago Press, 2002
From cave paintings to the latest Siberian finds, woolly mammoths have fascinated people across Europe, Asia, and North America for centuries. Remains of these enormous prehistoric animals were among the first fossils to be recognized as such, and they have played a crucial role in the birth and development of paleontology. In this lively, wide-ranging look at the fate of the mammoth, Claudine Cohen reanimates this large mammal with heavy curved tusks and shaggy brown hair through its history in science, myth, and popular culture.

Cohen uses the mammoth and the theories that naturalists constructed around it to illuminate wider issues in the history of science, showing how changing views about a single object reveal the development of scientific methods, practices, and ideas. How are fossils discovered, reconstructed, displayed, and interpreted? What stories are told about them, by whom, and how do these stories reflect the cultures and societies in which they are told?

To find out, Cohen takes us on a grand tour of the study of mammoth remains, from England, Germany, and France to Russia and America, and from the depths of Africa to the frozen frontiers of Alaska and Siberia, where intact mammoth corpses have been discovered in the permafrost. Along the way, she shows how paleontologists draw on myth and history, as well as on scientific evidence, to explore the deep history of the earth and of life. Cohen takes her history from the sixteenth century right up to the present, when researchers are using molecular biology to retrieve mammoth DNA, calling up dreams of cloning the mammoth and one day seeing herds of woolly mammoths roaming the frozen steppes.

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front cover of Pow! Right in the Eye!
Pow! Right in the Eye!
Thirty Years behind the Scenes of Modern French Painting
Berthe Weill
University of Chicago Press, 2022
Memoir of a provocative Parisian art dealer at the heart of the 20th-century art world, available in English for the first time.
  
Berthe Weill, a formidable Parisian dealer, was born into a Jewish family of very modest means. One of the first female gallerists in the business, she first opened the Galerie B. Weill in the heart of Paris’s art gallery district in 1901, holding innumerable exhibitions over nearly forty years. Written out of art history for decades, Weill has only recently regained the recognition she deserves.
 
Under five feet tall and bespectacled, Weill was beloved by the artists she supported, and she rejected the exploitative business practices common among art dealers. Despite being a self-proclaimed “terrible businesswoman,” Weill kept her gallery open for four decades, defying the rising tide of antisemitism before Germany’s occupation of France. By the time of her death in 1951, Weill had promoted more than three hundred artists—including Henri Matisse, Pablo Picasso, Amedeo Modigliani, Diego Rivera, and Suzanne Valadon—many of whom were women and nearly all young and unknown when she first exhibited them.
 
Pow! Right in the Eye! makes Weill’s provocative 1933 memoir finally available to English readers, offering rare insights into the Parisian avant-garde and a lively inside account of the development of the modern art market.
 
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